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Mae Questel Darstellerin in Serien
Mae Questel war eine US-amerikanische Schauspielerin und Synchronsprecherin. Mae Questel – Wikipedia. Mae Questel made her debut as the voice of Betty Boop in , and continued to voice the character—and sometimes model for the animators—through the. Showing Editorial results for mae questel. Lieber in Creative suchen? Durchstöbern Sie 31 mae questel Stock-Fotografie und Bilder. Oder starten Sie eine. Entdecken Sie Veröffentlichungen von Mae Questel auf Discogs. Kaufen Sie Platten, CDs und mehr von Mae Questel auf dem Discogs-Marktplatz. Serien und Filme mit Mae Questel: Somerset · Die Schnorchels · Popeye · Betty Boop · Schöne Bescherung · New York Stories – New Yorker Geschichten · . Find the perfect mae questel stock photo. Huge collection, amazing choice, + million high quality, affordable RF and RM images. No need to register, buy.
Schau dir unsere Auswahl an mae questel an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. Viel Spaß mit Millionen aktueller Android-Apps, Spielen, Musik, Filmen, Serien, Büchern und Zeitschriften – jederzeit, überall und auf allen deinen Geräten. Mae Questel. Gefällt Mal. Personality Girl, Flapper, Scat singing, The Betty Boop Girl Provided the voice for Betty Boop and Olive Oyl and many other.
Mae Questel The Voice of Betty Boop VideoMae Questel as Aunt Bethany
Mae Questel Encyclopedia Tools Menu VideoMae Questel as Betty Boop (live action film clip) Viel Spaß mit Millionen aktueller Android-Apps, Spielen, Musik, Filmen, Serien, Büchern und Zeitschriften – jederzeit, überall und auf allen deinen Geräten. Mae Questel (* Diese Figur war damals so populär, dass sich eine von Mae Questel in ihrer Betty-Boop-Stimme intonierte Version von Shirley Temples. From Wikipedia, the free encyclopedia. Mae Questel (September 13, –January 4, ) was an American actress and vocal artist best known for providing. Schau dir unsere Auswahl an mae questel an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. Mae Questel. Mae Kwestel, Mae Questal, Mae Questelle. Geboren: September ; Verstorben: Januar Weitere Infos: TMDB Profil · IMDB Profil.
Questel, a singer, comedienne, and character actress, paved the way for such modern day voice actors as June Foray, Tress MacNeill, and Nancy Cartwright.
Never exactly a household name, the diminutive actress consistently made a solid living in vaudeville, on network radio, television, playing memorable character parts in films, and on the Broadway stage.
Moreover, she provided voices for literally hundreds of cartoons that are still seen and heard around the world today.
Born Mae Kwestel September 13, , in New York City, she was raised in the Bronx by parents Simon Kwestel and Frieda Glauberman, where she honed her abilities as a mimic and dialect comic at local charitable functions.
Although her parents demanded she quit her dramatic studies and latch on to a steady career in teaching, the youngster's love of performance determined her fate.
By the time she graduated high school at age 17, young Mae was already working in vaudeville, doing her spot-on singing impersonations of such contemporary stars as Fanny Brice, Eddie Cantor, Marlene Dietrich, Ruth Etting, and Maurice Chevalier.
When her impersonation of singer Helen Kane—the Madonna of the flapper era—helped her win a talent contest at the RKO Fordham Theater in , her career kicked into a higher gear.
Now billed as "Mae Questel, Personality Singer of Personality Songs," she began performing regularly on radio and took steady work with the RKO vaudeville circuit, culminating in a much-prized gig at the prestigious Palace Theater in New York in Cartoon filmmaker Max Fleischer saw Questel's impersonation of Helen Kane in and asked her to use it for his cartoon creation Betty Boop.
The character, which began life as a cartoon dog with Kane-like affectations, had already been voiced by various actresses, most notably Margie Hines, Little Ann Little, Bonnie Poe, and Kate Wright.
Each of these actresses utilized Kane's flirty, babydoll voice and catchphrase "boop-oop-a-doop," but it was Questel who made Betty Boop a media phenomenon.
A better singer and improviser than her predecessors, she also modeled for Fleischer's animators who based many of the character's emerging physical quirks on Questel's own mannerisms.
It took me a long time to sort of lower my voice and get away from the character. During that era, cartoons were part of a movie package shown to as many adults as children.
As a result, the early on-screen antics of Betty Boop were considered somewhat risque for the times. Pre cartoon gags show the character losing her dress, revealing a nude silhouette, and dancing suggestively to hot Cab Calloway jazz.
Later the character's skirts were lengthened, and her dialogue was written with less suggestive overtones. The saucy cartoons, many of which featured a song from Questel, made a major splash with moviegoers.
Soon, the Betty Boop character was part of a hot commercial trend that encompassed everything from candy, toys, clothes, and beauty products to network radio programs and newspaper comic strips.
She also appeared as the character in a live action short subject film titled Hollywood on Parade No. The Fleischer Brothers and their parent company, Paramount Pictures, were presumably raking in the profits.
However, the person upon whom the character was based, Helen Kane, did not benefit. Kane's career reached its height during the late s when her cutie-pie renditions of "Button Up Your Overcoat" and "I Wanna Be Loved By You," replete with her signature "boop-oop-a-doop" interjections, made her the toast of Broadway.
Kane claimed that the cartoons had subverted her popularity by appropriating her singing style and especially her catchphrase "boop-oop-a-doop.
Fleischer testified that Betty Boop came from his own imagination and had five women who had voiced the character, including Questel, take the stand and testify they did not base their performances on Kane.
Nevertheless, it is generally held that Questel's characterization was based on Kane. To quote Andrew J. Her entire career was based on her original impersonation of Helen Kane.
On the night of the fateful contest, Kane had autographed a photo to Mae that said, 'To another Helen Kane.
Questel, who voiced Betty Boop until the cartoon ceased production in , was always grateful to the Fleischer Brothers and never publicly admitted that she copied Kane for the cartoons.
Ironically, when she sang the s knockoff "Chameleon Days" in Woody Allen's faux documentary Zelig , a close-up of the mock 78 rpm record reveals that the song is falsely credited to Helen Kane.
Olive Oyl's voice was based on the fluttering utterances of s and s film comedienne Zasu Pitts, but Questel added her own little touches.
It's Olive Oyl! He was later replaced by former animator Jack Mercer, who would supply the spinach-eating sailor's voice for the next three decades.
Mercer also voiced Wimpy, Poopdeck Pappy, and Popeye's four nephews. Many Popeye aficionados prefer the early to mids run because of its mix of well-planned slapstick and verbal spontaneity.
Working with director and gagman Dave Fleischer, Questel and Mercer were allowed to improvise reactions and snappy patter whether the animated characters were speaking or not.
Often this somewhat surreal technique provided the illusion that Popeye and Olive were humorously complaining under their breath. Questel's "Boop-boop-a-doop" routine, done in a style similar to the version Helen Kane made popular, while at the same time evoking something of the naughty allure of film star Clara Bow , was exactly what Fleischer wanted, and he hired Questel in From until , Questel provided the voice of Betty Boop in more than animated shorts, the longest run for any actress doing that voice.
During the s she released a recording of " On the Good Ship Lollipop " which sold more than two million copies. In , she reprised her role as Betty Boop in a cameo appearance in Who Framed Roger Rabbit , which was effectively Questel's only known work for Disney not counting the brief additional voices she had done for some of Disney's older films.
Along with her voice work, and occasional on-camera appearance in Paramount shorts, Questel also attended Columbia University ,  where she studied drama.
Beginning in  Questel also provided the voice for Olive Oyl in the Max Fleischer Popeye cartoons, inititially voiced by Bonnie Poe , she made her debut with "I Eats Me Spinach" and essentially became the permanent voice until her hiatus to start a family in She based Olive's nasal vocal quality and expression, "Oh, dear!
Questel returned as the voice of Olive Oyl in after the studio re-organized as Famous Studios , Paramount Pictures and had returned to New York, a role in which she would remain in until She also filled in for Jack Mercer as the voice of Popeye for a small number of cartoons, made when Mercer was temporarily drawn into war service.
In the s, she was the voice for the title character of the pioneering interactive Saturday-morning cartoon series Winky Dink and You.
She voiced Wiggy Rockstone after the original voice actress, Gay Autterson, left the role in She continued to provide the voices of Betty Boop and Olive Oyl in commercials, television specials and elsewhere until her death.
Questel played a number of small parts, including appearing with Rudy Vallee as Betty Boop in the short Musical Justice  and as a nurse in The Musical Doctor in In , Questel had a role in the short-lived ABC television sitcom The Corner Bar ,  but she achieved perhaps her greatest visibility in television commercials, notably playing "Aunt Bluebell" in ads for Scott Towels , but also appeared in spots for Playtex , Folger's Coffee and others.
She also appeared on panel shows and in daytime soap operas. Questel appeared on Broadway four times: . Questel was married twice: to Leo Balkin May 25, — December 30, on December 22, , from whom she was divorced prior to ; and to Jack E.
Shelby April 28, — June 15, on November 19, ; they remained married at his death.Human Verification:. Ironically, when she sang the s knockoff "Chameleon Days" in Woody Allen's faux documentary Zeliga close-up of the mock 78 rpm record reveals that Gentlemen Broncos song is falsely credited to Helen Kane. Demento's wacky radio show. From Wikipedia, the free encyclopedia. Fleischer testified that Betty Boop came from his own imagination and had five women who had voiced the character, including Questel, take the stand and testify they did not base their Ankunft Paderborn on Kane. Olive Oyl's voice was based on the fluttering utterances of s and s film comedienne Zasu Pitts, but Questel added her own little touches. The following year, Id:A Frau Ohne Vergangenheit had Questel providing the voice for their I Feel Pretty Stream Online Lulu knockoff Little Audrey, another bright, curious little girl Mae Questel often got into comedic trouble. Lederer, Andrew J.